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In Their Own Country logo In Their Own Country text in English Vivace font
Winner of the national Gabriel Award for programs that uplift the human spirit.

Entertaining visits with fourteen of West Virginia’s most celebrated writers.  

Marc Harshman

Listeners will be treated to spellbinding readings from four of Harshman's books. He represents the many fine writers who have moved to the state. A West Virginian for more than 30 years,  Harshman combines a national reputation as a children's writer with a talent for storytelling performance. He tells about his early days in West Virginia and offers insightful comments about poetry, politics, and storytelling in West Virginia.

Glimpses from readings:  Two kids watch their dad put out a chimney fire in the snow -- a beloved uncle writes wonderful letters, then turns out to be an alcoholic -- a family weights their pockets with rocks so the wind won't blow them off the mountain.. a snowbound family has a great time when they take in strangers in a snowstorm.

Personal:  Born in Indiana in 1950.  Has lived in the northern panhandle of West Virginia (now Wheeling) for over 30 years.  Married Cheryl Ryan.  One daughter, Sarah.


Publications:  Turning Out the Stones, State Street Press 1983;  A Little Excitement, Cobblehill; Snow Company, Cobblehill 1990; Rocks in My Pockets, Cobblehill 1991; Only One, Cobblehill 1993; Uncle James, Cobblehill 1993; Moving Days, Cobblehill 1995; The Storm, Cobblehill 1995;  All the Way to Morning, Marshall Cavendish 1999; Red Are the Apples, Harcourt 2001; Roads, Cavendish 2002; The Maidens, Cavendish, forthcoming.

Education and Career:  BA Bethany College 1973.  MAR Yale University Divinity School 1975.  MA University of Pittsburgh 1978.  West Virginia Elementary teacher, children's literature writer and scholar, storyteller, poet.

Awards: Reading Rainbow Review Title; The Storm - Junior Library Guild Selection, Smithsonian Institute Notable Book, Parents Choice Award;  WV English Teacher of the Year, 1995, WV English and Language Arts Council; WV Commission on the Arts Fellowship in poetry, 2000 ; A Little Excitement translated into Swedish and Danish.

Reviewers' Comments:  
-"Harshman delivers more plot and action than is usual in picture books, seamlessly injecting a sense of how [the character] handles everyday life." (Booklist)  
"A bleak realistic story--a perceptive, well-told story [Uncle James]" (Kirkus Reviews) 
-"The story [A Little Excitement], with its folksy appeal, is well plotted and gripping."  (Horn Book) 
-"Without being maudlin, the first-person narrative [Moving Days] quietly evokes the mixture of sadness, fear, and anticipation that comes with leaving the old and beginning anew.  Harshman's soothing words never coddle." (Horn Book)  
-"Harshman portrays everyday people in folktale-like circumstances, giving his works an air of timelessness."  (Biography Resource Center)


Excerpts from In Their Own Country: 

Marc: Virginia Hamilton - my vote as America's finest writer of children's books - Virginia Hamilton says that all people are storytellers. And the most fundamental form of tale-telling is gossip. That delicious story of our everyday lives. And when those tales are shaped and polished, passed from one hand to another, from one generation to another, they transcend whatever they started out to be and become, in her words, folk tale. Or, in my words, they simply become Story. And that's what I was hearing at that supper table. And I don't think I've stopped listening every since.
 
Marc: ...One of the things I like to tell parents and teachers both is that, with that table gone from the lives of so many of our children - and I say children in the larger sense - then it becomes our responsibility as teachers and educators, as artists, to recreate that story table, I like to call it. To recreate that story table wherever we can, be it in our schools, our community centers, our synagogues and churches, wherever we can. 
And when I say that, I don't mean that we have to become storytellers  ourselves, as some sort of professional thing. No, no, what I mean is simply that we recreate that time when we're simply sitting together. And not just us, talking to them, but allowing our children to talk to us, to let them tell us their fledgling stories. And it's just so, so crucial.
 
Marc: ...You know that, to be good at anything in this life, you have to practice. You can't be a great ball player, simply by watching the games on the tube. You've got to get out and run and throw and dribble and pass, whatever the sport is. 
You can't become a great musician simply by listening to the music. You have to practice your instrument, your flute, your piano, your fiddle. The same's true for a writer. I can't simply read, wonderful and feeding and nurturing as that is. I do need to do the practice, the actual writing. So I try to make sure that there I am, at my desk, scribbling away on those days. Seeing what will happen. 
Well, one afternoon in Moundsville, many years ago, I was sitting at my desk at our home in Moundsville, scribbling away, trying to make one word go together with another one here, make some spark happen. And all of the sudden, the magic descended. And I wrote down these words: "There may be a million stars. But there is only one sky. 
I didn't know what that meant or where it was going, not for sure. I didn't know if it was going to be the first sentence of the great American novel, if it was going to be a story or a poem. Or a song. I really didn't! But I LIKED the sound of those words. So I began to play with them.
 

See also: Booklist, Publishers Weekly, School Library Journal, Biography Resource Center, Mountainlit.com

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Last modified: 09/16/08